Built in 1646 by Shabdrung Ngawang Namgyal , the first spiritual and temporal ruler of Bhutan, the Dzong houses the monastic body of Paro, the office of the Dzongda (district administrative head) and Thrimpon (judge) of Paro district. The approach to the Dzong is through a traditional covered bridge called Nemi Zam. A walk through the bridge, over a stone inlaid path, offers a good view of the architectural wonder of the Dzong as well as life around it. It is also the venue of Paro Tshechu, held once a year in the spring.
One time watch tower built to defend Rinpung Dozng during inter-valley wars of the 17th century, since 1967 Ta Dzong is serving as the National Museum of the country. It holds fascinating collection of art, relics, religious thangkha paintings and Bhutan’s exquisite postage stamps. The museum circular shape augments its varied collection displayed over several floors.
This Dzong, with a delightful village nestling at its foot, was built in 1646 by Shabdrung Ngawang Namgyal to commemorate his victory over the Tibetan invaders. Historically and strategically this Dzong withstood all its glory and was featured in 1914 vide National Geographic magazine. The glory of Drukgyel Dzong remained even when its was destroyed by fire in 1951. On a clear day, one can see the commanding view of Mount. Chomolhari from the village, below the Dzong.
It is one of the oldest and most sacred shrines of the Kingdom dating back to 7th century (the other is Jambey Lhakahng in Bumthang). The lhakhang complex is composed of two temples. The first temple was built by Tibetan King, Songtsen Gampo in the 7th century and in 1968, H.M. Ashi Kesang, the Queen Mother of Bhutan, built the second temple in original pattern.
Farm House (traditional village house)
The beauty of Paro valley is embellished by cluster of quaint farm houses. Bhutanese farm houses are very colorful, decorative and traditionally built without the use of single nail. All houses follow the same architectural pattern. A visit to Farm House is very interesting and offers a good glimpse into the lifestyle of a farmer.
Built in 1525, this town temple was formed by Ngawang Chhogyel, one of the prince-abbots of Ralung in Tibet and an ancestor of the Shabdrung Ngawang Namgyal.
To the west of the road is Dungtse Lhakhang, a chorten-like temple. This unusual building was built in 1433 by the iron bridge builder Thangtong Gyalpo. It has three floors representing hell, earth and heaven and the paintings inside are said to be some of the best in Bhutan.
Beyond Dungtse Lhakhang, to the east of the road, the tiny Pana Lhakhang is quite old and is believed to have been built in the seventh century.
Ugyen Pelri Palace
Ugyen Pelri Palace is in a secluded wooded compound on the south side of the river just west of the Dzong. This Palace was built by the Paro Penlop, Tsering Penjor, in the early 1900s. It is designed after Guru Rinpoche’s celestial paradise, Zangto Pelri, and is one of the most beautiful examples of Bhutanese architecture.
Located behind Paro Dzong, this small temple is home to a magnificent statue of Sakyamuni Buddha that was carried all the way from Lhasa and also houses the protector deity of Paro. Legend has it that the statue of Sakyamuni was destined for Paro Dzong and merely placed in the temple for overnight safe keeping. However, when the time came to move the statue, it proved impossible to lift. As a result, it became a permanent feature of the lhakhang.
Taktshang Lhakhang (Tiger’s Nest)
It is one of the most famous of Bhutan’s monasteries, perched on the side of a cliff 900m above the Paro valley floor. It is said that Guru Rinpoche arrived here on the back of a tigress and meditated at this monastery and hence it is called “Tiger’s Nest”. This site has been recognized as a most sacred place and visited by Shabdrung Ngawang Namgyal in 1646 and now visited by all Bhutanese at least once in their lifetime. On 19 April, 1998, a fire severely damaged the main structure of building but now this Bhutanese jewel has been restored to its original splendour.
Excursions around Paro Valley
Start the day early for drive to Haa via Chele-la pass. 4 Km away at Bondey village the road to Haa diverts towards the right hand side and ascends towards the chele-la pass starts. After driving through blue pine & rhododendron forest for 45 km, reach Chele-la pass ( 4200 meters). From this point one can have a superb views of Mt. Chomolhari & Jichu Drakey. This is a very good place to walk around for few minutes enjoying the view. Drive on to Haa, descending all the way for another 22 km (under an hours drive), finally reaching Haa. The Haa Dzong is presently occupied by military, but the view from outside is stunning. After picnic lunch visit to the famous Monastery of Lhakhang Karpo (White Temple) followed by visit to Lhakhang Nagpo (Black Temple).
The central shrine in Lhakhang Nagpo is said to have no difference with that of Lhasa JOWO in Tibet. The construction of the Lakhang Karpo is believed to have been assisted by the locality. As a result the place came to be locally known as “Hay” meaning” surprise” which later became “Haa” due to the differences in interpretations and pronunciations of different people over time.
The three giant hills looming over the fringes of Haa valley were called “Me Rig Puen Sum” especially after the incidence of the Lhakhang Karpo construction. Today the three hills are popularly known as “Rig Sum Goenpa” signifying three deities-Jambayang Chana Dorji and Chenrizig.
Later, other Buddhist saints like Guru Rinpoche and “Machi Labdorn” came to the Jungney Drag in Haa and blessed the locality. The principal religion followed is Drukpa Kagyupa. After the arrival of Shabdrung Ngawang Namgyel, the chief guardian deity of Haa became, Ap Chundu.
Later in the afternoon drive to Paro same way back. The drive will be under 3 hours.
It is the serene home of Buddhist nuns who have dedicated their life for spiritual fulfillment and leading undisturbed life of religious studies, prayer and meditation. The goemba is nestled in a craggy patch on mountain side below the Chelela pass and perched precariously along the rock face. From Chelela pass, the lhakhang is about an hour walk amidst magnificent wooded area.
Chele la (pass), at an elevation 3,988 meters is considered to be one of the highest motorable passes in Bhutan. About an hour’s drive along a thickly-forested road, is this Pass-a botanical paradise. The pass provides stunning views of the sacred mountain Jomolhari and Jichu Drake. It is also marked by hundreds of prayer flags fluttering in the wind. Here, visitors can see cascades of wild roses; purple and yellow primulas; and swathes of deep blue iris covering the forest floor. The top of the pass bloom with rhododendrons in a variety of colours-pale pink, deep pink, burnt orange, mauve, white and scarlet.
Often called as mini Takstang, Dzongdrakha is a cliff-side temple complex on the western side of the Paro Valley. Four shrines make up the complex, dedicated to Drolma (Tara), Tsheringma(Goddess of Longevity), Guru Rinpoche and the Buddha of the Future, Maitreya. Local oral tradition states that when Guru Rinpoche first came to Bhutan, he came from Nepal, first landing at Drakarpo, and then Dzongdrakha before arriving at Taktshang (Tiger’s Nest) farther north up the valley. Located approx 20 minute drive from Paro, these temples are built on a cliff above Bondey village but the walk is not as strenuous as Taktshang. From the road, it take only about 30 minutes walk to reach here, through forests of rhododendron and oak trees with white monkeys on it. Dzongdrakha also hosts an annual Tshechu (festival) that takes place the day before and the day after the larger Paro Tshechu held at Rinpung Dzong near the main town. During the festival at Dzongdrakha, one of the main blessings takes place when thechorten (stupa) of the past Buddha is opened so that attendees are blessed by the relic held within. The Dzongdrakha village has numerous temples and is known for most of their men being either fully ordained monks or gomchens (lay monks who don’t take vows of celibacy). Ironically it is the women who work in the fields and are the bread earners unlike in any other part of the country.